![](https://freight.cargo.site/t/original/i/50b457566a399906da0c369dbd94c731377187c9d72b1281c5ad2ef2ad514ebb/table1_web.png)
![](https://freight.cargo.site/t/original/i/d42f2a6d7fda4a56c0efa24f739fc64e3c1c1b7de0a98a858055e3c0c28bc95f/table12b_web.png)
![](https://freight.cargo.site/t/original/i/0071b813406bc2ff5fa35b4abe5286995ec1b19da9f324534953e599b681b17e/table12c_web.png)
![](https://freight.cargo.site/t/original/i/fbf90b0a024c91088707229999adc84ec9d775f57238e4f900f6245588d22989/table15d_web.png)
![](https://freight.cargo.site/t/original/i/0cea7704f5103b51fa8023bc66d32711e881a8739a15ae650d5830607521b676/table16d_web.png)
![](https://freight.cargo.site/t/original/i/d3bf84b61d365cf698c55b5c92792dc86da72a94a84e974b1e75ec814918d5c0/table17b1_web.png)
![](https://freight.cargo.site/t/original/i/8bc991c073261986a64e6a6eeb27406054744abfdf5d057717fc10790db9658e/table17c_web.png)
![](https://freight.cargo.site/t/original/i/5d6bcf62e6b2a8642e4abc2d7ff9ee5bfa5c1d02a057d37cbdc78663a3832c9c/table18b3_web.png)
![](https://freight.cargo.site/t/original/i/c0aaecd59813a2a3bee4fa7e121f5857a24102acce2fc490ee418281203f4c4f/table30_web.png)
![](https://freight.cargo.site/t/original/i/8b0908fafdd31b6d74f9cb70761afabc98a8dd164af437d3eb043f93c8c0fe9f/table36_web.png)
![](https://freight.cargo.site/t/original/i/2008b2512adac593e07ccdf0f9e7b03c9874035f728d34e64652f3fc706529b1/table39_web.png)
Tables of Content | 2017 |
HTML, Twine |
This project comprises a branching sequence of 92 HTML tables. It is the second entry in a web series commissioned by Art Journal Open.
These tables render the content of “In Submission”, an essay about internet content, white space, and whiteness.
Further notes are provided in "Building a Table":
Access the work on Art Journal Open.
These tables render the content of “In Submission”, an essay about internet content, white space, and whiteness.
Further notes are provided in "Building a Table":
An article is often bolstered by a table, which places words into more analytical and arbitrary configurations. A table can contain feelings, intimations, and digressions that are necessarily flattened by a linear sequence of text.
[...]
This play happens because it can. But what is really absurd is a table that makes sense, an abstraction that reads as a figure. This figure claims that the world is an exchange and things are its tokens. A claim resting on a contradiction might as well crumble when we touch it. The language of the web offers evidence of the many convolutions that go into putting a thought in a hole: in this case, a word in a cell in a table in a frame in an article on a page of a site.
Access the work on Art Journal Open.